Kicking off the cinematic shenanigans this month is Suicide Squad (August 5). Given that this is a hot contender for ‘Most Hyped Movie Of The Year’, I’ll dispense with the laundry list of A-listers appearing (Will Smith, Jared Leto, Margot Robbie etc) and get down to the plot.
Super secret government agency A.R.G.U.S, led by Amanda Waller (The Help’s Viola Davis), compiles a all-star squad comprised of incarcerated super villains. Their mission? To undertake various shady black-ops missions in an effort to chisel time off their respective sentences. Sounds legit.
But will Suicide Squad be fitting apology for the disappointment of Batman VS Superman: Dawn of Justice? And will Jared Leto ever be able to scrub off those henna tatts? There’s only one way to find out!
Released mid-month is Mike and Dave Need Dates (August 10) starring Zac Effron.
I already know what you’re thinking; this is obviously going to be some sort of crude, semen-scented dude comedy, but please observe the casting of the females leads. Aubrey Plaza and Anna Kendrick are not super sexy vixens (though they are attractive, of course) but are well regarded for their comedy chops, more so then their sex appeal.
The story is simple: hard-partying brothers Mike (Modern Family’s Adam DeVine) and Dave (Efron) are instructed by their sister to find appropriate dates for her upcoming Hawaiian wedding, in order to prevent them from ruining the big day with their excessive joie de vivre.
So, they appear on a TV show appealing for dates, which puts them into contact with slovenly hucksters Tatiana (Plaza) and Alice (Kendrick) who set out to trick the guys into believe they are respectable, Charlotte from SATC types, perfect for a family wedding. And they succeed, but the guys soon learn the truth about the girls after spotting them smoking weed from a hollowed out apple on the beach. Comedy ensues.
After Bad Neighbours, I began to come around to Zac Effron. He’s not terrible at comedy you guys, even if his attempts at dramatic pathos are so terrible they make Joey from Friend’s ‘Smell the Fart’ acting style look like Laurence Olivier.
Nonetheless, this has got something for everyone: brainless laughs, Audrey Plaza and Zac Effron for the (sorta) sex appeal, and a capable, familiar cast.
It’s difficult to believe that it’s been 15 years since the world’s cringiest mockumentary boss awkwardly danced his way onto our TV screens and into our hearts. It has been, though, and somehow the world has managed to continue spinning after the end of The Office in 2003 (and the end of the show’s surprisingly good American remake in 2013).
With such international turmoil and global instability, the world needs the return of David Brent now more than ever. And luckily, there’s beaucoup Brent in the form of David Brent: Life of the Road (August 15).
The finale of the show’s brief run (which lasted only two seasons and a two-part Christmas special) saw Brent fired from the titular office before capitalising on the z-list fame generated by the mockumentary by engaging in a series of humiliating public appearances at Slough’s nightclubs.
David Brent: Life on the Road picks up the action 15 years after the events of The Office. Brent, now a nomadic office supplies sales rep selling paperclips and tampons, embarks on a tour with his band Foregone Conclusion. Deluded as ever, Brent believes the filming of the tour (which he is funding out of his pension) will be a Scorcese-esque portrait of a genius on the road, when in fact it is a ‘where are they now’ follow-up on the ludicrous (deludicrous?) Brent.
There’s clearly a bit of wish fulfilment going on here; although it’s all very tongue-in-cheek Gervais, whose ’80s new-wave band Seona Dancing scored a hit single in the Philippines, is clearly enjoying the chance to play a (albeit clueless) strutting rock star, singing songs co-written by Coldplay’s Chris Martin.
But will it be any good? Too early to say: for every ‘The Office’ Gervais creates there’s a ‘Life’s Too Short’, but the chance to hear him wheel out cringy classics like ‘Free Love Freeway’ and Paris Nights is almost too much to resist.